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What is the best source of information on Chinese Calligraphy?


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The art of calligraphy is widely practiced and revered in the East Asian civilizations that use Chinese characters. These include China, Japan, Korea, and formerly Vietnam. In addition to being an artform in its own right, calligraphy has also influenced ink and wash painting, which is accomplished using similar tools and techniques. The East Asian tradition of calligraphy originated and developed from China, specifically the ink and brush writing of Chinese characters. There is a general standardization of the various styles of calligraphy in the East Asian tradition. Calligraphy has also led to the development of many other forms of art in East Asia, including seal carving, ornate paperweights, and inkstones.

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The Chinese method of holding the brushHow the brush is held depends on which calligraphic genre you are practicing. For Chinese calligraphy, the method of holding the brush is more special; the brush is held vertically straight gripped between the thumb and middle finger. The index finger lightly touches the upper part of the shaft of the brush (stabilizing it) whilst the ring and little fingers tuck under the bottom of the shaft. The palm is hollow and you should be able to hold an egg in there. This method, although difficult to hold correctly for the beginner, allows greater freedom of movement, control and execution of strokes. For Japanese calligraphy, the brush is held in the right hand between the thumb and the index finger; very much like a Western pen.

A paperweight is placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support.

In China, there are many people who practice calligraphy in public places such as parks and sidewalks, using water as their ink and the ground as their paper. Very large brushes are required. Although such calligraphic works are temporary (as the water will eventually dry), they serve the dual purpose of both being an informal public display of one's work, and an opportunity to further practice one's calligraphy.

In Japan, smaller pieces of Japanese calligraphy are traditionally written seated in the traditional Japanese way (seiza), on the knees with the buttocks resting on the heels. In modern times, however, practitioners frequently practice calligraphy seated on a chair at a table. Larger pieces may be written while standing; in this case the paper is usually placed directly on the floor, but some calligraphers use an easel.


BeijingCalligraphy takes many years of dedicated practice. Correct stroke order, proper balance and rhythm of characters are an essential in calligraphy. Skilled handling of the brush produces a pleasing balance of characters on the paper, thick and thin lines, and heavy and light inking. A lot of times, a calligrapher will practice writing the Chinese character yong (??) many, many times in order to perfect the eight basic essential strokes contained within the character. Those who can correctly write the yong character beautifully can potentially write all characters with beauty.

Basic calligraphy instruction is part of the regular school curriculum in both China and Japan.