given to the actors just to learn their lines and know what

Question:

A Script is written/given to the actors just to learn their lines and know what they are doing (correct)?

and a screenplay is written just for the directors and producers (right) mentioning the camera direction, places, time, day etc. Is this info correct if not please correct me.

Best Answer - Chosen by Asker: You're close.

The information in the script is intended for the producer. If it's an interior or exterior, night or day show, he will eventually supply the director with whatever he needs or ask him to find another way of doing it by faking, ignoring, cutting something, replacing it, etc.
The lines are for the actors, and the director's job will be to remove anything superfluous with the screenwriter's consent (however the contract is drawn someone has to have final say); but the lines as written need to be read a certain way for maximum effect--this is the director's task--to find that way and convey it to his/her actors and practice them until it can be achieved.
There is more in a script--there is limited background material on characters and the intended ambiance, mood, effect of the scenes; sometimes there is a gesture, a bit if "business", indicating a need for special equipment, lenses, set-ups, background mattes, etc.
It is also the screenwriter's prerogative to describe, succinctly, the intended effect of anything vital, such as the way a character strikes others, why they do something or don't, how they do it, what someone wears, etc; they may be overridden, but this is part of the originator's job. Screenwriters write scripts, whoever concocts the narrative of events and category-level value plot line of what's important and what's being sought and how well it's going at any given moment. But is a writer produces a original screenplay, he should have the final say, and yes or no on any casting and the choice of the director. If he doesn't, a very successful film rarely results in such a case.
The script is a blueprint for success; the production, under the producer and director, is an attempt to build the structure and stage the events described and elaborated in the script's blueprint of places, people, costumes, events, actions and shots.
The writer can suggest all the shots he wants to; but this is one area where the director will insist on making the final decision, in almost all cases; a scene can be shot more than one way, and extra footage, covering shots, etc. are almost always exposed as well as the basic shot.