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Question: About Pablo Picasso's The young ladies of Avignon!.!.!?
I have several question!.!.!.

- Is there any number of figures in the art!?

- If there is what each number means!?

- That is this picture's dominant color!?


im kind of confuse about number things and dominant color

because there is no such a number things on picture and

no dominant color; I guess it was picasso's Rose Period, but no sure!.!.

plz help me out =/

(I apologize if there is grammar errors on my question!. =/
I'm international so if there is sentensc u can't understand, tell me!.)Www@QuestionHome@Com


Best Answer - Chosen by Asker:
No, the painting came after his rose period (see http://paintingdrawing!.suite101!.com/arti!.!.!.
which lasted till 1905!. The Ladies of Avignon was painted in the following year!. This is an easy painting to understand because a lot has been written about it!. Print out the picture and study it well!. There are five nudes in it!. His models were prostitutes and the Avignon referred to is a street by that name in the red-light district of Barcelona With this painting he broke all the classical rules of painting!. Women no longer depicted as beautiful and desirable, Picasso depicted the faces as mask-like, their forms taken from primitive African Sculpture and ancient sculpture from his native Spain were mask-like; bodies fragmented into sharp planes of color!.The bodies depicted just however he wanted them!. See the monumental figure to the right seated with its back to us,only the mask-like swiveled round!.
No focal point, the eye shifts from one figure to another!. Flat perspective (i!.e!. no traditional background) -!. the figures seem to pose on a empty stage!.
I hope that clears up your questions on numbers - the number of people he chose to paint has no significance!. Color!? Nothing dominates (no color point to focus your eye) He used as you will see a pale of beiges and pinks, with a background of deeper brown, white and blue!. He was not interested in color in this painting it is form - changing ideas which occupied his attention!.
If you are going to study Picasso seriously, it is a good idea to look up the different periods of his work and then the paintings you look at will slot in neatly!. This painting marks the beginning of his Cubist period!. Before it were his blue and pink periods!. Here is an excellent introduction http://en!.wikipedia!.org/wiki/Pablo_Picas!.!.!. Www@QuestionHome@Com

There are 5 women in tones of beige with a blue background!.
You will find some more information here:
http://en!.wikipedia!.org/wiki/Les_Demoise!.!.!.Www@QuestionHome@Com

The painting has five women in it!. The number does not appear to be significant except to the extent that in it Picasso had defied the traditional rules pertaining to beauty, perspective, anatomy and colour in order to show multiple aspects of a person or object at the same time!. The painting was to show an intellectual structure that existed only in his mind!. The picture was inspired by the distortions that existed in African carvings!. It featured jagged planes!.

The painting appears to be almost monochromatic!. The dominant colours are beige and light brown!.

Chronologically, the painting follows both the Blue Period and the Rose Peiod that characterize much of Picasso's art!. It is from the "*****" Period!. "*****" is Spanish for black!. During this time, which followed his Rose Period, Picasso demonstrated the impact that African masks and the use of abstraction in African art could have on painting!. The painting 'Les Demoiselles d'Avignon' (1907) was considered as a harbinger of Cubism, the style that soon was to follow in the work of Picasso!. The painting was an important turning point towards abstraction in Contemporary art!. It is described as transitional between Picasso's African-influenced "*****" Period and Cubism itself!.

Avignon, in this painting, refers to a red-light district of Barcelona in Picasso's native country!. The women in the painting are said to have been prostitutes!. He deliberately distorted their faces!.

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