What do I need to do for my audition?

Question:I am going to a big audition on Monday

I havent been to an audition in a year. and last time it did not go so welll.

What should I wear? What are certain technics to make me look better? What do I need to do (besides preparation)?

Its a singing audition for a musical and I am trying for a younger part.

Best Answer - Chosen by Asker: I am going to a big audition on Monday

I havent been to an audition in a year. and last time it did not go so welll.

What should I wear? What are certain technics to make me look better? What do I need to do (besides preparation)?

Its a singing audition for a musical and I am trying for a younger part.

Having been an actor and a director, I know what I'm looking for from an audition, and I can remember my successful auditions as an actor and the ones I remember as a director had similar elements:

Enthusiasm, energy, personality and committment.

Every audition class I've ever taken stresses the "audition piece" but ignores the other, more crucial elements of a successful audition, in my opinion.

The audition piece is important,no doubt, but only to prove that the auditioner is prepared. The people auditioning you are looking far beyond that, however. The assumption is that everyone can act and sing .They have ,by the time you step on the stage, heard hundreds of other auditioners all day long; they've heard the same songs and monologues.
Your selction has probably been done by others actors before you as well .

So what do you do to"stand out"?

What auditioners are really looking for is personality, enthusiasm, and "flexibility" -- someone willing to take a challenge, to step out of the box and do something different and with confidence and energy.

Wear something that you can move in, that makes you look like someone sutiable for the role or production, but don't go overboard and wear something just isn't "you" because makes you look "younger". Costume is the job of the costumer. The most important element of an audition is to convince the audtioners that they can work with you.

Do that by your attitude. As soon as you walk onthe stage and introduce yourself, an opinion about you has been made. The rule of thumb is that in a two minute audition, a basic decision is made within the first thirty seconds -- the time spent stepping out on stage, introducing yourself and beginning your audition. by that time, before you've even finsihed your song or monlogue, a absic decision is made; the rest of the time is spent reading your resume.

So, to me, the key to a successful audition --one that gets you to the callbacks -- is your personality, your enthusiasm, your committment to what you;re doing. The audition piece and clothes you choose all contribute, but what they want is somene that grabs their attention, "forces" them to pay attention to you because of your energy, style, enthusiasm, confidence, and committment.to what you;re doing.

Whatever you choose to perform for an audtion, don't make it "introspective" and internalized, but energetic and with a range of emotions -- and don't hold back!

Don't be afraid of doing too much, be afraid of doing too little.

What the auditioners are really looking for are people lthey can work with, are flexible, confidant and grounded .They assume everyone can sing and dance -- an audition piece merely confirms the actor has taken the trouble to prepare; what they want to see is the full committment to whatever you are doing; full-out energy and enthusiasm.
They want someone that oozes personality and confidence, makes eye contact and brightens up a very long and tedious day of auditioning with some bright spark of energy personality; someone "I" can work with, who takes direction criticism, and will committ fully to the role and the production.

You need to convince them of that the moment you step on that stage or rehearsal hall and tell them who you are.

Break a leg!

Wear something that makes you memorable, and that stands out from the crowd.
just do your best... don't forget to warm up before the audition.

The most important thing is your attitude. Be positive and upbeat and act like you belong there.

well do not dress up to much. that will make it look like ur trying to hard. and just be urself

Always be confident and true to who you are. If you are meant to have this part - it will happen ! Pick a song that shows your strengths !! Be well rested and know exactly what you want from this audition ! Good luck !

dress up but comfortably - no jeans or sneakers
smile alot but act mature. dont be giddy. they will want a young person who can follow direction and stay calm in exciting situations.
what song are you singing?
break a leg kiddo

How to do your best in Auditions: http://www.auditions.com/article_2.php

Auditions tips: http://www.auditions.com/article_3.php

The Auditions process http://www.auditions.com/article_1.php

Do your homework. Read the words many times. make sure ur comfortable with them. have them with u ona tiny card. try to really fully understand the story of the song..........so u can really get some meaning into it...........sing it in front of some people so ur used to that . Score your monologue for actions, intentions, transitions and objective. (if u think it will add to the performance) the rest is just general stuff about auditions in general . good luck anyway .have confidence in your own ability..........mental rehearse..think through the situation..........and become comforable with it.its called visualisation. sounds crazy but apparently it works (imagiining yourself performing) .hope u find some of theis helpful.
Stage your piece simply for dramatic impact:
- Use a limited performance area (5 to 10 feet square)
- Limit furniture to a single chair
- Place the (imaginary) character you are addressing downstage of you - preferably beyond the fourth wall and toward the auditors. Keep eye contact with that person specific and consistent.
When doing two or more pieces, find the order that makes you comfortable. Try them both ways and find out which way feels best to you. Then, consistently rehearse them in the chosen order.
Rehearse your transitions from introduction to character and in and out of characters ahead of time. Transitions are the place where most actors fall apart. Don't say things in the middle - but plan this as a sharp piece throughout, from "hello" to "thank you" - you should run the whole thing through as a production, not as several productions broken up with intermissions. There are different approaches to transition breaks, but whatever you choose to do, make sure that yours are rehearsed.
Rehearse, rehearse, rehearse. Show the piece to as many people as possible. Even if you are working with a coach, get others to watch you. The more comfortable you are doing the piece, the more comfortable you will be at the audition.
PART THREE: PERFORMING THE AUDITION

Dress comfortably. Avoid costumes, but don't dress completely out of character either. Avoid big clunky shoes or jewelry that may impede your movement.
Arrive at least a half-hour early so you can check in and take time to warm up. If possible, check out the audition space in advance so that you are completely comfortable with your surroundings.
Remember that your audition begins the moment you step into the theater. Some people say it starts when you leave home that morning. Be confident, pleasant and positive with everyone. When you get into the performing space, find your light and arrange your space before you begin speaking. Or, if you are well-rehearsed and extremely comfortable, you can show off by moving the chair where you want it and finding your light while you introduce yourself!
Include a short introduction. Usually this is the place to include your name and the titles of the two monologues, as well as the playwrights' names. Don't just launch into the monologues - but also don't describe the play beforehand. Let the monologues speak for themselves.
Avoid performing to the auditors specifically. Usually, an empty seat is your best bet - if you are looking at an empty seat, you will not notice the auditors scratching, shifting, drinking coffee or making notes. THIS IS GOOD!
Remember, you won't please everyone. Worrying about whether "they like it" isn't going to do you much good.
If the timer calls "time" - stop immediately! Thank the timer and the audience, but get moving. Remember, your lack of preparation is keeping someone else waiting.
ALWAYS thank the auditors, and NEVER apologize for the audition. Unless you let the auditors know it, they will assume that's exactly what you meant to do. Just in case they thought it was brilliant, don't telegraph that you think you blew it.
Leave the stage at a measured pace. There's no need to run away (even if you went over time). In most cases, this is the time where auditors look down and scribble quick notes. If the auditors want to know anything, they will call out your name and ask you the question. If that happens, you should stop and listen, answer clearly and then start your exit again.
Compiled by Aileen McCulloch from various tips of local casting directors, Villanova professors and friends.

Do your homework. Read the play many times to find clues about location, time, speech patterns, habits, etc. that you will use when developing your monologue. Score your monologue for actions, intentions, transitions and objective. This will help you understand every word of the monologue.
Check and recheck your length by reading aloud. Add 30 seconds to get a more accurate idea of how long the piece will take in performance. Aim to come in a minute under time.
Avoid props. Other than things that might ordinarily be worn (glasses, watches, hair ribbon, etc.).
Stage your piece simply for dramatic impact:
- Use a limited performance area (5 to 10 feet square)
- Limit furniture to a single chair
- Place the (imaginary) character you are addressing downstage of you - preferably beyond the fourth wall and toward the auditors. Keep eye contact with that person specific and consistent.
When doing two or more pieces, find the order that makes you comfortable. Try them both ways and find out which way feels best to you. Then, consistently rehearse them in the chosen order.
Rehearse your transitions from introduction to character and in and out of characters ahead of time. Transitions are the place where most actors fall apart. Don't say things in the middle - but plan this as a sharp piece throughout, from "hello" to "thank you" - you should run the whole thing through as a production, not as several productions broken up with intermissions. There are different approaches to transition breaks, but whatever you choose to do, make sure that yours are rehearsed.
Rehearse, rehearse, rehearse. Show the piece to as many people as possible. Even if you are working with a coach, get others to watch you. The more comfortable you are doing the piece, the more comfortable you will be at the audition.
PART THREE: PERFORMING THE AUDITION

Dress comfortably. Avoid costumes, but don't dress completely out of character either. Avoid big clunky shoes or jewelry that may impede your movement.
Arrive at least a half-hour early so you can check in and take time to warm up. If possible, check out the audition space in advance so that you are completely comfortable with your surroundings.
Remember that your audition begins the moment you step into the theater.

Check out these links. It will tell you everything you need to know.

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